Новеллы Сигизмунда Кржижановского: поэтика финала
Аннотация
В магистерской диссертации выявляется своеобразие финалов новелл С. Д. Кржижановского. Финалы новелл писателя исследуются в соотнесённости с его мировоззренческими и эстетическими принципами. Поэтика финала новелл писателя анализируется в аспекте их композиционно-сюжетной специфики. Также выявляются индивидуально-художественных свойства финалов новелл писателя. В итоге делается вывод, во-первых, о том, что поэтика финала новелл С. Д. Кржижановского связана с его мировоззренческой установкой, которая характеризуется трагизмом, фантомностью, эсхатологичностью. Во-вторых, о том, что финал новелл писателя напрямую связан с мортальной сюжетикой. В-третьих, о том, что фантомная эстетика, характерная для С. Д. Кржижановского, находит отражение в незавершённости произведений и нелинейности их финалов. В-четвёртых, о том, что финалы некоторых новелл писателя определяются как открытые. В-пятых, о том, что в значительном корпусе новелл Кржижановского после развязки следует оригинальный композиционный элемент: двойной финал.
The master's thesis reveals the originality of the finals of the novels by S. D. Krzhizhanovsky. The finals of the writer's short stories are examined in relation to his worldview and aesthetic principles. The poetics of the finale of the writer's short stories is analyzed in terms of their compositional and plot specifics. Also, the individual artistic properties of the finals of the writer's short stories are revealed. As a result, it is concluded, firstly, that the poetics of the finale of S. D. Krzhizhanovsky's short stories is associated with his ideological attitude, which is characterized by tragedy, phantomizm, and eschatological. Secondly, that the ending of the writer's short stories is directly related to the mortal plot. Thirdly, that the phantom aesthetics, characteristic of S. D. Krzhizhanovsky, is reflected in the incompleteness of the works and the nonlinearity of their finals. Fourthly, that the finals of some of the writer's short stories are defined as open. Fifth, that in a significant corpus of Krzhizhanovsky's short stories, after the denouement, an original compositional element follows: a double finale.
The master's thesis reveals the originality of the finals of the novels by S. D. Krzhizhanovsky. The finals of the writer's short stories are examined in relation to his worldview and aesthetic principles. The poetics of the finale of the writer's short stories is analyzed in terms of their compositional and plot specifics. Also, the individual artistic properties of the finals of the writer's short stories are revealed. As a result, it is concluded, firstly, that the poetics of the finale of S. D. Krzhizhanovsky's short stories is associated with his ideological attitude, which is characterized by tragedy, phantomizm, and eschatological. Secondly, that the ending of the writer's short stories is directly related to the mortal plot. Thirdly, that the phantom aesthetics, characteristic of S. D. Krzhizhanovsky, is reflected in the incompleteness of the works and the nonlinearity of their finals. Fourthly, that the finals of some of the writer's short stories are defined as open. Fifth, that in a significant corpus of Krzhizhanovsky's short stories, after the denouement, an original compositional element follows: a double finale.